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I have been a Teacher of English since 2014 and am currently a Lead Practitioner and examiner. I currently teach English Language and English Literature GCSE and IB. I am starting to develop resources for IB's MYP.

I have been a Teacher of English since 2014 and am currently a Lead Practitioner and examiner. I currently teach English Language and English Literature GCSE and IB. I am starting to develop resources for IB's MYP.
Cross Curricular Art Evaluation and WW1 Conflict Poetry- Perspectives of Then and Now
Melanie-AnnMelanie-Ann

Cross Curricular Art Evaluation and WW1 Conflict Poetry- Perspectives of Then and Now

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Suitable for MYP Years 1 and 2, this cross curricular module introduces students to lesser-known WWI poets and uses their work to build students’ understanding of Interpretivism and encourages them to begin using the ATL criticality. The milestone assessment has been contrived to assess criteria A,B,C and D. All lessons come with adapted resources for PLA students. The material remains aspirational and relies heavily on the contextual knowledge and skills built across the module. This resource is designed to address the class attainment gap and equip all new students to MYP with the potential to succeed academically. Students are guided through the development of hinterland knowledge of propaganda, trench life and to explore the motivations of different poets with a reading of their contextual life events and contemporary social constructs. They ask how far the poet’s presentation can be trusted as they analyse their work and begin to write extended essays, sharing their view in response to different poems/ As the module progresses, students are guided through an introduction of the modern art genre, Augmentism and inspect how the Augmentists, Scarlett Raven and Marc Marot use multimodal approaches (including a reliance on performed WW1 poems) to reflect on life for soldiers in WWI. Students who are surprised by the Augmented Reality aspect of their milestone often speak of it fondly in MYP Y3 graduation and enjoy the blending of art evaluation and critical analysis of the poems they study. Many teachers comment that this brings new life and a new perspective to WWI poetry and promotes interest in generations who do not access to living history, ‘Lest We Forget’.